ABOUT MARY CONTINUED...

During the 1930's and 1940's , she exhibited at the Metropolitan Museum, Carnegie Hall, New York University, Rockefeller Center, The Roerich , The New School for Social Research, Radio City, Independence Hall, and such galleries as the ACA Gallery and the Municipal Gallery in New York City.

In 1939 Mary married Dmitri Goulandris . After they divorced during the war , she worked in the shipyards. After the War she met her second husband, Ed Stone whom she married in 1946.

With Ed and her daughter, Ramie she moved to San Francisco Bay Area in 1953. During the 50's and 60's in the San Francisco Bay Area Mary's work was at the Telegraph Hill, East West, and Greta Williams galleries in San Francisco and she was part of the Artists Cooperative. It was at the Oakland Museum where she won an award for her sculpture called " Musician". Her opposition to the U.S involvement in Vietnam War was the theme of a solo show at Dominican College in San Rafael , California. For a number of years in the 60's she had her own gallery in both Mill Valley and San Rafael, California where the artists could show for free.

In the 70's and 80's, Mary's work was shown in Benicia and Sausalito, California, and at the Commonwealth Club in San Francisco. Mary moved to Ashland ,Oregon in 1992. The Grants Pass Museum, the Rogue Valley Art Gallery, and the Art Space Gallery near Tillamook , Oregon exhibited her work. Her last solo show in February of 2006 at the Thorndike Gallery on the Southern Oregon University campus featured her social- protest work done from the years 1939 through 2000.

In 2001 " Art and Antiques Magazine," had an essay on her Federal Arts Project experiences and the destruction of her sculpture. Her art papers are in the Smithsonian, The National Museum of Women in the Arts, and at Sonoma State University in their collections on women artists. She did over 50 social-protest canvas murals during her lifetime as she said she felt she needed to express what she felt about injustice through her art. Mary believed strongly that art was what made us human and hoped someday that art would be more revered.